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Taves Finds His Voice on “To Your Ears”, a Reflective Start to the Year
Kendickson’s “God’s Plan” Is a Quiet Manifesto for the Patient and the Called
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A Regal Return: Flavour, Baaba Maal & TG Omori’s Pan-African Vision in Afroculture
Lawraines Steals the Spotlight in Shallipopi’s ‘Na So’ Visuals
Davido & Director Pink Celebrate Plus-Size Beauty in “10 Kilo”
Odumodublvck’s ‘PITY THIS BOY’ Is a Playful Sci-Fi Twist on a Real Nigerian Problem
Ayra Starr Opens Up on Toxic Situationship Behind ‘Where Do We Go’
Tiwa Savage is Opening Doors for the Next Generation of African Music Creatives
Dapper Live Sets Guinness World Record for Largest Afrobeats Orchestra
Angélique Kidjo Announces Star-Studded New Album, ‘HOPE!!’, Out April 24
Thisizlondon, Kayode, Blaqbonez, Crayon and More on New Music Friday
Ayra Starr, Angelique Kidjo, Mavo, NO11 and More on New Music Friday
MOLIY, Priesst, KOJO BLAK and Major League DJz on New Music Friday
Zaylevelten, Wande Coal, Smallgod, Odumodublvck and More on New Music Friday
REVIEWS
Album Review
oSHaMO and the Revival of Fuji’s Street Soul
Zlatan’s Symbol of Hope Is His Most Human Work Yet
One Last Dance? Tiwa Savage Reclaims Her Essence on ‘This One is Personal’
Behind Closed Doors: Runda Examines Soul, Desire, and Ambition in a 26-Minute Interrogation
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Emergent
Billboard Labels Rema a One-Hit Wonder. Here’s What We Think.
Duncan Mighty’s Surprising 2018 Resurgence
Lekompo: The Revolutionary Sound From South Africa
The New Masculinity in Afropop: Vulnerability, Painted Nails, and the Backlash
The Afromixx Big 7: Artists to Watch in 2026
Lekompo: The Revolutionary Sound From South Africa
10 Signature Songs and Dances That Defined Nigerian Pop Culture
African Songs You Need on Your Summer 2025 Playlist
Danpapa GTA, One Voice from Lagos’ Underground Surge
Zaylevelten: The Underground Alchemist Redefining Nigeria’s Sonic Future
Kemuel Makes Music That Feels Like Memory
Phiwo: Writing Her Truth in Real Time
Interview
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Lifestyle
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From Migration to Art: The Legacy of the “Ghana Must Go” Bag
Anthony Azekwoh: The Digital Painter of Myth and Memory
Gabriel Moses’ Rise as a Creative Force in Fashion and Music
Art X Lagos 2024 Launches Today with ‘Promised Lands’ Theme
BAFTA 2026: A Double Win For Nigeria
Burna Boy, Mr Eazi, Darkoo Join F1: The Movie Soundtrack
Funke Akindele: A Force Of Nature In Nollywood
The 20th AMAA Honors Excellence and Legacy in Cinema : A Celebration of African Storytelling
GTCO End-of-Year Party 2025: Wizkid, Davido, Olamide & Tems Kick Off Detty December in Lagos
Team Brazil Makes History at Africa’s Debut All-Electric Powerboat Race in Lagos
Pixie Cut: How Nigerian Celebrities Sparked a Hairstyle Revival
Echoes of 2025 Ojude Oba Festival
Olamide Returns: A Decade Later, Baddo Shuts Down Wembley
Ayra Starr and Tyla Lead Africa’s Charge at Global Citizen Festival 2025
Top 5 African Moments at the 20th Wireless Festival 2025
African Artists: Seun Kuti, Tyla, Rema & Amaarae at Coachella 2025
MUSIC
Best New Music
Music Video
Music News
New Music Friday
Taves Finds His Voice on “To Your Ears”, a Reflective Start to the Year
Kendickson’s “God’s Plan” Is a Quiet Manifesto for the Patient and the Called
Elestee & Ayra Starr Find Perfect Sync on “On A Low”
Monaky and Jeriq Spark Chemistry on the Hypnotic “7 Grams”
A Regal Return: Flavour, Baaba Maal & TG Omori’s Pan-African Vision in Afroculture
Lawraines Steals the Spotlight in Shallipopi’s ‘Na So’ Visuals
Davido & Director Pink Celebrate Plus-Size Beauty in “10 Kilo”
Odumodublvck’s ‘PITY THIS BOY’ Is a Playful Sci-Fi Twist on a Real Nigerian Problem
Ayra Starr Opens Up on Toxic Situationship Behind ‘Where Do We Go’
Tiwa Savage is Opening Doors for the Next Generation of African Music Creatives
Dapper Live Sets Guinness World Record for Largest Afrobeats Orchestra
Angélique Kidjo Announces Star-Studded New Album, ‘HOPE!!’, Out April 24
Thisizlondon, Kayode, Blaqbonez, Crayon and More on New Music Friday
Ayra Starr, Angelique Kidjo, Mavo, NO11 and More on New Music Friday
MOLIY, Priesst, KOJO BLAK and Major League DJz on New Music Friday
Zaylevelten, Wande Coal, Smallgod, Odumodublvck and More on New Music Friday
REVIEWS
Album Review
oSHaMO and the Revival of Fuji’s Street Soul
Zlatan’s Symbol of Hope Is His Most Human Work Yet
One Last Dance? Tiwa Savage Reclaims Her Essence on ‘This One is Personal’
Behind Closed Doors: Runda Examines Soul, Desire, and Ambition in a 26-Minute Interrogation
FEATURES
Articles
Lists & Guides
Emergent
Billboard Labels Rema a One-Hit Wonder. Here’s What We Think.
Duncan Mighty’s Surprising 2018 Resurgence
Lekompo: The Revolutionary Sound From South Africa
The New Masculinity in Afropop: Vulnerability, Painted Nails, and the Backlash
The Afromixx Big 7: Artists to Watch in 2026
Lekompo: The Revolutionary Sound From South Africa
10 Signature Songs and Dances That Defined Nigerian Pop Culture
African Songs You Need on Your Summer 2025 Playlist
Danpapa GTA, One Voice from Lagos’ Underground Surge
Zaylevelten: The Underground Alchemist Redefining Nigeria’s Sonic Future
Kemuel Makes Music That Feels Like Memory
Phiwo: Writing Her Truth in Real Time
Interview
CULTURE
Arts
TV & Film
Lifestyle
Live & Festival
From Migration to Art: The Legacy of the “Ghana Must Go” Bag
Anthony Azekwoh: The Digital Painter of Myth and Memory
Gabriel Moses’ Rise as a Creative Force in Fashion and Music
Art X Lagos 2024 Launches Today with ‘Promised Lands’ Theme
BAFTA 2026: A Double Win For Nigeria
Burna Boy, Mr Eazi, Darkoo Join F1: The Movie Soundtrack
Funke Akindele: A Force Of Nature In Nollywood
The 20th AMAA Honors Excellence and Legacy in Cinema : A Celebration of African Storytelling
GTCO End-of-Year Party 2025: Wizkid, Davido, Olamide & Tems Kick Off Detty December in Lagos
Team Brazil Makes History at Africa’s Debut All-Electric Powerboat Race in Lagos
Pixie Cut: How Nigerian Celebrities Sparked a Hairstyle Revival
Echoes of 2025 Ojude Oba Festival
Olamide Returns: A Decade Later, Baddo Shuts Down Wembley
Ayra Starr and Tyla Lead Africa’s Charge at Global Citizen Festival 2025
Top 5 African Moments at the 20th Wireless Festival 2025
African Artists: Seun Kuti, Tyla, Rema & Amaarae at Coachella 2025
kendicksons
Kendickson’s “God’s Plan” Is a Quiet Manifesto for the Patient and the Called
Simisolaoluwa Adegoke
Hi, I'm Simisolaoluwa Adegoke. I write to help you see what I see
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