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Miji’s “Bed of Roses” Is Pop Music for the Beautifully Imperfect
Skyy ZNO’s “ARUANDA” Finds Freedom in the Rhythm
Gavis Wants You to Whine Pon It
“Sienna” Is UAX Looking Back Without Turning Back
Rema’s “Oh No” Turns Desire Into a World of Its Own
How Ayra Starr’s “Tornado” Music Video Brings the Storm to Life
How Dammy Twitch Turned Davido’s “I Know Who I Be” Into a Full-Circle Story of Purpose
“Worship” Music Video is Asake’s Ode to Gratitude and Becoming
Tyla Offers Scholarships to 10 Young Women Studying Music
Ayra Starr Announces ‘Starrgirl’ World Tour, Set to Take New Album Across Europe and North America
18th Headies Toronto Debut Postponed to April 2027
Asake Submits Four Entries for 2027 Grammy Awards Consideration
Victony, Blaqbonez, Yarden, Fireboy DML and More on New Music Friday
FOLA, Phyno, NO11, Kashcoming, Qing Madi and More On New Music Friday
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Young Jonn, Tiakola, Champz, Paska, and More on New Music Friday
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Khaliberry Review: Does Journey Through Sound Live Up to Its Name?
Joey B’s ‘Sexy Highlife’ Reimagines Highlife Through an Alternative Lens: First Listen
Asake’s M$NEY Is Bold, Expansive, and Impossible to Ignore
oSHaMO and the Revival of Fuji’s Street Soul
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Why Are Female Musicians Expected to Be Morally Perfect?
Rema, Billboard and The Headies: Why Nigeria Still Struggles to Trust Its Own Music Institutions
Brymo Remains One of Nigerian Music’s Greatest Craftsmen
Can You Be a Feminist and Still Enjoy Afrobeats?
Artists Reimagining Wizkid’s Greatest Songs
The 10 Best Nigerian Songs of 2026 So Far
10 Francophone African Artists Breaking Global Barriers
10 essential Maskandi albums
Bugzeee Is Building His Own Rhythm Between Nigeria and the UK
The Last Real Lover in Afrobeats Might Be From Ibadan
Reiinn’s Music Sounds Like a Prayer
Danpapa GTA, One Voice from Lagos’ Underground Surge
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Sanjo Lawal’s Art Gives “Heavy Is the Head” a Whole New Meaning
British-Nigerian Photographer and Filmmaker Gabriel Moses Adds EA Sports FC 27 to His Growing Legacy
The Nigerian Artist Behind the Obamas’ Historic New Portrait
The Art of Album Covers in Afrobeats
Olu Jacobs, Nollywood’s Lion of Lufodo, Dies at 84
Shoday and Waje Join Funke Akindele’s The Four
Children of Blood and Bone: Can Hollywood Finally Do African Fantasy Justice?
From TV to the Oscars: Michael B. Jordan’s Career Highlights
The Group Therapy Debacle Is a Lagos Infrastructure Story
The Cost of Cool: Why Wearing a Beret in Nigeria Is a Stylish Risk
GTCO End-of-Year Party 2025: Wizkid, Davido, Olamide & Tems Kick Off Detty December in Lagos
Team Brazil Makes History at Africa’s Debut All-Electric Powerboat Race in Lagos
Scorpion Kings Turn FNB Stadium Into a Monument to Amapiano
Afro Nation Portugal 2026: A Beachside Odyssey of Afrobeats Glory
Inside Asake’s One-Night-Only M$NEY Concert With Spotify
Homecoming 2026: Ephemeral Moments, Emerging Artists and the Making of Afrobeats’ Future
MUSIC
Best New Music
Music Video
Music News
New Music Friday
Miji’s “Bed of Roses” Is Pop Music for the Beautifully Imperfect
Skyy ZNO’s “ARUANDA” Finds Freedom in the Rhythm
Gavis Wants You to Whine Pon It
“Sienna” Is UAX Looking Back Without Turning Back
Rema’s “Oh No” Turns Desire Into a World of Its Own
How Ayra Starr’s “Tornado” Music Video Brings the Storm to Life
How Dammy Twitch Turned Davido’s “I Know Who I Be” Into a Full-Circle Story of Purpose
“Worship” Music Video is Asake’s Ode to Gratitude and Becoming
Tyla Offers Scholarships to 10 Young Women Studying Music
Ayra Starr Announces ‘Starrgirl’ World Tour, Set to Take New Album Across Europe and North America
18th Headies Toronto Debut Postponed to April 2027
Asake Submits Four Entries for 2027 Grammy Awards Consideration
Victony, Blaqbonez, Yarden, Fireboy DML and More on New Music Friday
FOLA, Phyno, NO11, Kashcoming, Qing Madi and More On New Music Friday
Blaqbonez, BNXN, Lojay, TML Vibez and More On New Music Friday
Young Jonn, Tiakola, Champz, Paska, and More on New Music Friday
REVIEWS
Album Review
Khaliberry Review: Does Journey Through Sound Live Up to Its Name?
Joey B’s ‘Sexy Highlife’ Reimagines Highlife Through an Alternative Lens: First Listen
Asake’s M$NEY Is Bold, Expansive, and Impossible to Ignore
oSHaMO and the Revival of Fuji’s Street Soul
FEATURES
Articles
Lists & Guides
Emergent
Why Are Female Musicians Expected to Be Morally Perfect?
Rema, Billboard and The Headies: Why Nigeria Still Struggles to Trust Its Own Music Institutions
Brymo Remains One of Nigerian Music’s Greatest Craftsmen
Can You Be a Feminist and Still Enjoy Afrobeats?
Artists Reimagining Wizkid’s Greatest Songs
The 10 Best Nigerian Songs of 2026 So Far
10 Francophone African Artists Breaking Global Barriers
10 essential Maskandi albums
Bugzeee Is Building His Own Rhythm Between Nigeria and the UK
The Last Real Lover in Afrobeats Might Be From Ibadan
Reiinn’s Music Sounds Like a Prayer
Danpapa GTA, One Voice from Lagos’ Underground Surge
Interview
CULTURE
Arts
TV & Film
Lifestyle
Live & Festival
Sanjo Lawal’s Art Gives “Heavy Is the Head” a Whole New Meaning
British-Nigerian Photographer and Filmmaker Gabriel Moses Adds EA Sports FC 27 to His Growing Legacy
The Nigerian Artist Behind the Obamas’ Historic New Portrait
The Art of Album Covers in Afrobeats
Olu Jacobs, Nollywood’s Lion of Lufodo, Dies at 84
Shoday and Waje Join Funke Akindele’s The Four
Children of Blood and Bone: Can Hollywood Finally Do African Fantasy Justice?
From TV to the Oscars: Michael B. Jordan’s Career Highlights
The Group Therapy Debacle Is a Lagos Infrastructure Story
The Cost of Cool: Why Wearing a Beret in Nigeria Is a Stylish Risk
GTCO End-of-Year Party 2025: Wizkid, Davido, Olamide & Tems Kick Off Detty December in Lagos
Team Brazil Makes History at Africa’s Debut All-Electric Powerboat Race in Lagos
Scorpion Kings Turn FNB Stadium Into a Monument to Amapiano
Afro Nation Portugal 2026: A Beachside Odyssey of Afrobeats Glory
Inside Asake’s One-Night-Only M$NEY Concert With Spotify
Homecoming 2026: Ephemeral Moments, Emerging Artists and the Making of Afrobeats’ Future
Makompo
Lekompo: The Revolutionary Sound From South Africa
Simisolaoluwa Adegoke
Hi, I'm Simisolaoluwa Adegoke. I write to help you see what I see
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